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MIT Press

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MIT Press (15)



Beyond Objecthood: The Exhibition as a Critical Form since 1968
The rise of the exhibition as critical form and artistic medium, from Robert Smithson's antimodernist non-sites in 1968 to today's institutional gravitation toward the participatory.
In 1968, Robert Smithson reacted to Michael Fried's influential essay "Art and Objecthood"
... дальше
3 974 руб.
в наличии*; ориентировочная дата отгрузки: 22.01.2019 (Вт.)
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Terror from the Air
Terror from the Air, 27 мая 2011 г.
Sloterdijk Peter
According to Peter Sloterdijk, the twentieth century started on a specific day and place: April 22, 1915, at Ypres in Northern France. That day, the German army used a chlorine gas meant to exterminate indiscriminately. Until then, war, as described by Clausewitz and practiced by... дальше
968 руб.
в наличии*; ориентировочная дата отгрузки: 22.01.2019 (Вт.)
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The Soul at Work
The Soul at Work, 27 мая 2011 г.
Berardi Franco Bifo
An examination of new forms of alienation in our never-off, plugged-in culture - and a clarion call for a conspiracy of estranged people.
968 руб.
в наличии*; ориентировочная дата отгрузки: 22.01.2019 (Вт.)
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Alphabet City 15: Air
Alphabet City 15: Air, 2010 г.
Knechtel J.
Writers, artists, and scholars consider the fragility of air, the ultimate commons.
The thin layer of atmosphere that clings to the surface of our planet is a fragile and corrupted brew. Air is in constant, restless migration around the globe, connecting us in the most intimate... дальше
563 руб.
в наличии*; ориентировочная дата отгрузки: 22.01.2019 (Вт.)
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Cooling Towers
Cooling Towers, 2006 г.
Becher Bernd, Becher Hilla
Another volume in the Bechers lifelong project of documenting the architecture of industrial structures.
Bernd and Hilla Becher's photography can be considered conceptual art, typological study, and topological documentation. Their work can be linked to the Neue Sachlichkeit movement... дальше
9 006 руб.
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Displaying the Marvelous
Displaying the Marvelous, 2003 г.
Kachur Lewis C.
How the exhibition spaces of Surrealism anticipated installation art.
Surrealism in its late phase often abandoned neutral exhibition spaces in favor of environments that embodied subjective ideologies. These exhibitions offered startled viewers an early version of installation art... дальше
3 380 руб.
в наличии*; ориентировочная дата отгрузки: 22.01.2019 (Вт.)
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